Ute Indians essays

Ute Indians essays The Ute Indian tribes are the oldest residents of Colorado. They are members of the Shoshonean family. (1)The Utes roamed over a large areas in the Southwest. The Ute mostly lived off hunting and fishing with little farming. However they could not go that far off their territory to hunt because of other tribes who inhabited the areas and who would fight to drive them out. Their traditional enemies were the Navajo Indians who they did not get along with. (2)They speak Shashonean, which is a branch of Uto-Aztecan. The Utes used to be one big tribe but then formed seven different bands that only met up once a year in winter. The Utes came from the north and inhabited the mountainous areas. They are spread out all through Colorado, New Mexico, and Utah. They eventually broke off into seven bands, they are the Mouache band, who lived on the eastern slopes of the Rockies and then from Denver south to New Mexico. The Capote band lived in the San Luis Valley near the headwaters of the Rio Grande and in the region of where Chama and Tierra Amarilla are today. The Weeminuche band was in the San Juan River area while the Taegauache lived in the Gunnison and Uncompahgre valleys. The Yamparicas band inhabited the Yampa River Valley. Lastly the Uintah Utes lived in the Uintah Basin, which included the Great Salt Lake Basin. For their government, since the Utes each had their own band of people each band had their own group leader. But later on when they began to come together into larger groups they had one tribal leader or chief. They also have people in charge of things like hunting and gathering food. Every year in the winter the tribal families would all come together and hold big festivities. At this time of the year is when most of their marriages would take place. (3)Every year four days into the early spring they would ...

Teenagers and Decisions †Ethics Prompt Writing

Teenagers and Decisions – Ethics Prompt Writing Free Online Research Papers Teenagers and Decisions Ethics Prompt Writing Prompt: Do you agree or disagree with the following statement? Parents or other adult should make important decision for their older (15 to 18 years old) teenage children. Use specific reasons and examples to support your opinion. Yes I agree with that statement! Because I believe that children from 15 to 18 years old can’t make important decision. That’s why their parents make a decision, because they know what is best for their children! If decision would be in teenager hands, than would be a lot of troubles. Sometimes even adult make a stupid decision, and how can we expect that will young people always make a right decision. Children can make decisions witch are not so important, and more important decisions leave to the parents. Consequences of making bad decision are sometimes very serious. It might effect on children future, and that is not god! I think that children will have a lot of important decisions to make in the future, since then will parents take care for them! Research Papers on Teenagers and Decisions - Ethics Prompt WritingPersonal Experience with Teen PregnancyMoral and Ethical Issues in Hiring New EmployeesIncorporating Risk and Uncertainty Factor in CapitalEffects of Television Violence on ChildrenComparison: Letter from Birmingham and CritoCapital PunishmentThree Concepts of PsychodynamicStandardized TestingRelationship between Media Coverage and Social andHarry Potter and the Deathly Hallows Essay

Assignment ec 410 Example | Topics and Well Written Essays - 250 words

Ec 410 - Assignment Example At 50% no activities that are cheaper to produce in the U.S as compared to Mexico. 1).The main difference between outsourcing in manufacturing versus business service is that in manufacturing the company may be given the mandate to manufacture goods locally using the patent of the parent company. On the other hand, the parent company may enter into a contract with another firm whereby, that firm is given mandate to offer services either locally or in the foreign market (Avadhanam, para.4) 2). Skill premium is where the wages earned by both skilled and skilled labors who works in the same field increase relatively to each other. The skilled premium in the U.S has widened wage gap between skilled and unskilled labor for the past 30years (Kannan, p.115). 3).The effects of outsourcing on workers’ wages include; it reduces the wages earned by workers, skilled workers may obtain more wage benefits as compared to the unskilled. Finally, it causes suffering to workers who worked at outsourcing firms. 5).It is true that U.S skilled workers fear the security of their jobs due to possibility of outsourcing. This because a firm may find cheaper to outsource labor rather than utilize local labor (Kannan, p.136) 1). The three factors that make Kenya an attractive site for Business Process Outsourcing include: availability of the 3 fiber optic cables, emergence of 4 undersea cables and availably of highly skilled labor force (The Economist,

U.S. & Japan Essay Example | Topics and Well Written Essays - 1750 words

U.S. & Japan - Essay Example Indeed, the nature and outcome of warfare, as of any human endeavor, are largely dependent on the individual talents and cumulative experiences of the people who engage in it. To study the material and technological aspects of modern warfare to the exclusion of its emotional, spiritual, and intellectual elements is foolish. The very existence of war requires that one possess not only the physical means to sustain an armed struggle but a mentality that predisposes one to initiate it or persevere in it. It follows, then, that hostilities cease when one of these two essential elements has been destroyed--when one combatant no longer possesses either the physical means or the psychological will to carry on the fight. What were the dominant ideologies and institutions of international politics of the twentieth century? At the dawn of the twenty-first century, this seems a particularly appropriate question to ask. What distinguished them, what were their limitations, what was their potenti al, and what prospects do they hold for the new millennium? The purpose of combat operations is to physically destroy the enemy's physical and material ability to make war. The objective of psychological operations is to erode his will to continue the fight.John W. Dower's War without Mercy: Race and Power in the Pacific War (New York: Pantheon, 1986) is a superb analysis of the impact of cultural stereotypes and racism on the conduct of the war in the Pacific. 1 John W. Dower assesses the impact of racial hatred, cultural stereotypes, and acid psychological factors on the conduct of the Pacific War. Yet his treatment of wartime atrocities, Japanese adherence to "death before dishonor," and Americans "obsessed with the task of slaughter" reveals only part of the story. Although he refers to the surrender of demoralized Japanese soldiers, the subject is peripheral to his work. This is understandable given his focus, yet one is left with a very dear impression that such occurrences were extraordinarily rare and insignificant events. More problematic is Dower's assertion that Americans in decision-making positions were so singularly unimpressed with the idea of waging a serious propaganda campaign against the Japanese that "such ideas had little impact." In fact, this is not the case. Psywar was not an afterthought on the part of Allied military commanders, nor was it always perceived as some "impractical plaything of effete civilians."2 In their attempts to demoralize Japanese troops Allied propagandists in the Southwest Pacific alone disseminated nearly 400 million propaganda leaflets and witnessed the capture of approximately 19,500 Japanese prisoners. The dearth of historical inquiry into the conduct of psywar against the Japanese, likely results from assumptions that deserve closer scrutiny. One such assumption seems to be that psywar could not have been effective against an enemy so thoroughly indoctrinated in a tradition that emphasized "death before dishonor" and the supreme virtues of loyalty to the emperor, unquestioning obedience to one's superiors, and self-sacrifice in the service of the nation. To be sure, soldiers in the IJA were thoroughly imbued with these values. But just as it did not prevent them from experiencing defeat on the battlefield, military indoctrination did not safeguard the emperor's soldiers from the ill effects of demoralization. The evidence shows that as the war progressed and Allied military successes mounted, morale among Japanese combatants markedly declined and Japanese soldiers became increasingly susceptible to the Allied war of words. Pacific War narratives provide graphic images of the brutal fighting in the Pacific, the atrocities committed by combatants, and the fight-to-the-death mentality that dominated among all fighting men in what has been characterized as a savage race war.

Of mice and men Film Essay Example for Free

Of mice and men Film Essay Of mice and men is a very touching film of hopes dreams and friendship. Adapted from the novel by John Steinbeck. The film is about two friends, Lennie and George, with a dream of great times with their own land and house. But there is a another story intertwined with theirs, about what people think of women. The two stories together will hold you in an array of emotions from joy to sorrow, and pride to guilt. This film if full of brilliant acting and meaningful uses of light and props. Of the two stories we will look at the one about women. We open the film with a man sitting in the shadows. Little light is coming in through the slits in the wood he is leaning on. He looks depressed and upset and bows his head as if hes trying to recall his memories of what went wrong to lead to this depression. And then we are suddenly in a field with early evening light filling a beautiful landscape, the main focus of our attention is of the woman running across the picture, shes white with brown hair wearing a torn red dress. As she runs we can see shes trying to run away form something or somebody, shes crying and the only sound we hear is her distressed breathing like she wants to cry but is holding the tears back. She looks like she has been attacked, although the dress is torn we only see a petty coat and not any flesh so this suggests that it might not have been sexual. But we cant really say for sure. The red dress represents passion so this says it could be sexual. We the see the two main characters running so we now think that they are connected to this. We never see this woman again in the whole of the story. The next woman we find is first only known as Curlys wife. She first comes into the story when she enters the bunkhouse where Lennie and George have only just arrived and are unpacking. Shes wearing a flowery dress which could be seen as innocent as it is cool colours and doesnt reveal much of her figure. Her hair is also in a very feminine style again to show innocence. Im looking for curly she says, almost as if she needs an excuse for being there. But also at the same time using it in an almost flirty sort of way trying to see how the new boys will react. He was in here a minute ago, but he left George replies cutting off that conversation. He hasnt stopped staring at her since she entered but not in a flattering way. We know he is a cautious person and he is almost looking at her trying to spot any type of threat. Especially as when Curly was in here he wasnt particularly nice. So his wife, even if she isnt like him in character, can still get him into trouble. Well I guess I better look some place else she says turning to face the door, only not to leave, just so the light shines on her from outside, showing off her figure. We now know that this girl is just one big flirt and George can see that. He wants her to leave as its the only thing that can happen to stop this tension, he cant leave with Lennie as they have no excuse to. Eventually after some more flirty lines she leaves. Through this scene we have been introduced to the only other woman in the film and we know shes a flirt and danger even if her image suggest otherwise at times. The camera reinforces this along with what she does. It starts with full body shots at the beginning of the scene and as she gets more flirtatious the shots concentrate on her upper body, then just her face, the attention is on her a lot of the time. The next scene with Curlys wife is in a barn as George takes a mule in. As he calls out for the stable buck she answers instead and comes half way over to some bags of hay. Shes in another flowery dress, again trying to portray innocence be we know that she is anything but innocent. This time she is also holding a book, possibly a story or maybe a diary, either suggest that maybe she isnt as much of the tart as we first thought and that she enjoys reading. Once again she tries to start a conversation, but George is still cautious of her and ignores her, concentrating on the mule. So to try to entice him she starts to once again flirt, as she sits on the bags of hay she leans back a little defining her chest. Her dress has ridden up revealing quite a bit of her leg, she pats the seat next to her trying to get him to come over. But still he just ignores her so she shouts. come over here and talk to me! he gets up and walks over to her. She calms down now she has her way. So she flirts to get her way most of the time but what we really want to know is if she really after a conversation or whether she only wants a cheap thrill like she has implied. All we have seen of her is her flirting and even now as hes come over to talk she is leaning against a pole like a lap dancer, asking about whether he has a sweetheart back home. We can almost certainly say that she is only after one thing. But then some thing happens that maybe changes our perspective of her. Her husband comes in. He ask whats going on and she says nothing I wasnt talking to you. he replies get back in the house. you dont own me curly. She says he now comes close to her and says in a way that seems like he might hit her I said go. And so she does. In this brief 2 minute talk we can see her relationship with her husband isnt a good one but he had just caught her with another man so maybe he can justify his anger. In this scene we have seen that Curlys wife is as we thought very flirty but that her relationship with her husband might cause this. She next walks into shot again in a flowery dress with a book as Lennie and George are hard at work in a field. In the scene before this Lennie and Curly have a fight. Lennie ends up with a bruised and scratched face and Curly gets a broken hand. Hi. she says, this is given a glance but they dont reply or give any recognition. sure is hot out here to day. She trys again to get conversation going. But again they dont care and keep on working. So she trys again. I said it sure is hot out here. why dont you go back to your house we dont want no trouble. Says George in a way that says I know I cant force you but I dont want you here. This is of course because of what Curly did. She is taken aback by this, she is used to being ignored but not told to leave by anyone other than her husband. I just want some one to talk to. She says. you got a husband, go talk to him George replies. yeah I got a husband. She says almost in a disappointed way. She then asks how Curly got his hand broken. To which George lies and says he got his hand caught in a machine. But this doesnt fool her so seeking an answer she asks Lennie who she knows wont have the mental capacity to make up a lie. how did you get those scratches on your face? she asks. Lennie looks to George and then looks away saying, he got it caught in a machine. He answers. is that so? She says with a look that is trying to work out how Lennie thinks. Almost as if she is concerned for him. She then quietly leaves. In this scene we begin to see that she isnt stupid she can work things out. Also that she doesnt like Curly and being married to him. The possibility that all she wants is some one to talk to is again present. In her penultimate scene we change our whole opinion of Curlys wife. Its set at night as Lennie and George are returning to the bunk house. Most of the other men are still in town spending their money in a whore house on girls and drink. Just as they are about to enter the bunk house Curlys wife comes out of the shadows looking upset and as if she has been crying. is curly back yet? she asks. no. says George knowing that Curly could very well be with another woman right now. She then says how Curly broke her records and we finally see a frail side of her caused by the fact her husband is now out possibly with another woman, he doesnt even talk to his wife, he doesnt even leave her with some measly records to listen to. We are shoved into feeling sorry for this poor girl and guilty that we thought she was just after a cheap thrill, when all she really wanted was someone to talk too. We get to see the womans frail side in this scene and we finally see her true motivation for the way she is, we see that she is very hurt and is just good at putting a brave face on things. In her last scene Curlys wife walks into a barn where Lennie has just accidentally killed a puppy. As she comes over he hides away and says how she would get him in trouble. whats wrong with me? she shouts at him as he rejects her company. Lennie doesnt see her as a sex object and so he doesnt see any danger in her although he is slightly attracted to her. So he opens up a little to her and in turn she opens up and finally we see her shed this mask that only shows her body and the fact that she is just a woman and should be treated as just some object. But now Lennie is sitting there talking to her as an equal and this is the sort of interaction with other people that she has tried to get through out the whole film. We find out as she opens up that she wanted to be an actress and she had plans to go to the theatre or Broadway and be an actress. Lennie is going on about tending the rabbits and not really listening but still Curlys wife doesnt care and talks about her dreams still. Eventually they do start listening to each other, and they find a common like for soft things. She lets him feel her hair, and then we see her open up in another way. Usually Curly is only interested in one thing, quick sex to satisfy him with no feelings involved, but here with Lennie she is being appreciated with close touch. She likes the fact he is being gentle and soft only after the simple pleasure of being able to stroke her hair. But he is a child in a strong mans body and he doesnt let go of her hair when she asks him to stop as he gets a little rough, and she screams, he grabs her and gags her, he only wants her to stop shouting but as he lays her back down we see that he has broken her neck. She lies silently in a pool of light on the hay as Lennie runs in fear. For a brief second we saw this beautiful woman blossom and show her true self and now she is gone. Though this film we see a progressing way in how men picture women. In the bunk house scene all we see is a flirty woman, and we are focused on her body. In the second scene we get another showing of this but at the end we see her giving in to her husband and maybe a suggestion of how he treats her. Next we see her being ignored by the boys, they consider her trouble even thought its not directly her fault, also we see a bit of her intelligence and that she isnt that stupid. Then finally we see her frailty and that she is not just a pair of breasts on legs, she has feeling as well as a mind and emotions. We can conclude that because of the way men see her, causes her to flirt as its the only way to get any attention. Because she doesnt get the conversation and interaction from Curly she turns else where and flirting is the only way to get that interaction she wants. In the last scene we see her mind, her dreams, opinions and thoughts. we see the side of her that has been ignored by every one just because shes a woman. Through the whole film we dont even get to know her name. But with Lennie these barriers are broken as he doesnt understand them and so she can open up and talk to this person. Even though he might not be listening he isnt blocking her out because she a woman and she gets the interaction that she wants and that she has been searching for. Then finally she dies and we are left with a memory of a woman that showed her mind to us and how she was no longer just a body to be looked at by men. But for a brief moment considered as an individual person.

Death Penalty Essay -- Capital Punishment Judicial Essays Papers

The Death Penalty   Ã‚  Ã‚  Ã‚  Ã‚  The Death Penalty can be considered one of the most debated issues in the United States. The death penalty is a judicially ordered execution of a prisoner for a serious crime, often called a capital crime (Capital). There are many people that oppose the death penalty and then there are many people who are for the death penalty. People who oppose the death penalty feel that it is not humane or it might be too expensive. The people who are for the death penalty feel that it gives a chance for individuals to be accused for their wrong acts. Most convicted murderers face the possibility of execution. The nature of the case is what decides whether or not the convict qualifies for the death penalty.   Ã‚  Ã‚  Ã‚  Ã‚  People who oppose the death penalty take the side that is too much money. They feel that it is far more expensive to execute the convict than keeping them in prison. In Texas, the cost of each execution case is roughly three times greater than detaining an inmate for forty years with the tightest security. Other states have similar statistics on how the death penalty is more expensive than imprisonment. One poll, "The Budgetary Repercussions of Capital Convictions" states that the cost of capital trials from 1982-1997 was $1.6 billion (Costs). Part of the taxpayers money goes to the cost of executing a criminal. Many feel that the money can be used for education or medicare. Also, many people opposing the death penalty feel that many convicts are inn...

The Hunters: Moonsong Chapter Fourteen

Matt hunched his shoulders miserably. He had come to the pledge meeting because he didn't want to stay in his room alone, but now he wished he hadn't. He'd been avoiding Elena, Meredith, and Bonnie – it wasn't their fault, but so much violence had happened around al four of them in the past year, so much death. He'd thought it might be better being around other people, people who hadn't seen how much darkness there was in the world, but it wasn't. He felt almost like he was swathed in bubble wrap, thick and cloudy. As the other pledges moved and talked, he could watch them and hear them, but he felt separated from them; everything seemed muffled and dim. He felt fragile, too, as if removing the protective layer might make him fal apart. As he stood in the crowd of pledges, Chloe came over and stood next to him, touching his arm reassuringly with her smal , strong hand. A gap appeared in the bubble wrap, and he could real y feel her with him. He put his hand over hers and squeezed it grateful y. The pledge meeting was in the wood-paneled underground room where they'd first met. Ethan assured them this was just one of many secret hideouts – the others were only open to ful y initiated members. Matt had discovered by now that even this pledge room had several entrances: one through an old house just outside campus, which must have been the one they brought them through that first time, one through a shed near the playing fields, and one through the basement of the library. The ground beneath the campus must be honeycombed with tunnels for so many entrances to end up in one place, he thought, and he had an unsettling picture of students walking on the sun-warmed grass while, a few inches below, endless dark tunnels opened underneath them. Ethan was talking, and Matt knew that usual y he would have been hanging on his every word. Today, Ethan's voice washed over Matt almost unheard, and Matt let his eyes fol ow the black-clad, masked figures of the Vitale members who paced the room behind Ethan. Dul y, he wondered about them, about how the masks disguised them Wellenough that he was never sure if he recognized any of them around campus. Any of them except Ethan, that is. Matt wondered curiously what made the leader immune to such restrictions. Like the tunnels beneath the campus, the anonymity of the Vitales was slightly unsettling. Eventual y, the meeting ended, and the pledges started to trickle out of the room. A few patted Matt on the back or murmured sympathetic words to him, and he warmed as he realized that they cared, that somehow they'd come to feel like friends through al the sil y pledge bonding activities. â€Å"Hold up a minute, Matt?† Ethan was next to him suddenly. At Ethan's glance, Chloe squeezed Matt's arm again and let go. â€Å"I'l see you later,† she murmured. Matt watched as she crossed the room and went out the door, her hair bouncing against the back of her neck. When he looked back at Ethan, Ethan's head was cocked to one side, his golden-brown eyes considering. â€Å"It's good to see you and Chloe getting so close,† Ethan declared, and Matt shrugged awkwardly. â€Å"Yeah, Well†¦Ã¢â‚¬  he said. â€Å"You'l find that the other Vitales are the ones who can understand you best,† Ethan said. â€Å"They'l be the ones who wil stand by you al through col ege, and for the rest of your life.† He smiled. â€Å"At least, that's what's happened to me. I've been watching you, Matt,† he went on. Matt tensed. Something about Ethan cut through the bubble-wrap feeling, but not in the comforting way Chloe did. Now Matt felt exposed instead of protected. The sharpness of his gaze, maybe, or the way Ethan always seemed to believe so strongly in whatever he was saying. â€Å"Yeah?† Matt said warily. Ethan grinned. â€Å"Don't look so paranoid. It's a good thing. Every Vitale pledge is special, that's why they're chosen, but every year there's one who's even more special, who's a leader among leaders. I can see that, in this group, it's you, Matt.† Matt cleared his throat. â€Å"Real y?† he said, flattered, not knowing quite what to say. No one had ever cal ed him a leader before. â€Å"I've got big plans for the Vitale Society this year,† Ethan said, his eyes shining. â€Å"We're going to go down in history. We're going to be more powerful than we've ever been. Our futures are bright.† Matt gave a half smile and nodded. When Ethan talked, his voice warm and persuasive, those golden eyes steady on Matt's, Matt could see it, too. The Vitales leading not just the campus but, someday, the world. Matt himself would be transformed from the ordinary guy he knew he had always been into someone confident and clear-eyed, a leader among leaders, like Ethan said. He could picture it al . â€Å"I want you to be my right-hand man here, Matt,† Ethan said. â€Å"You can help me lead these pledges into greatness.† Matt nodded again and, Ethan's eyes on his, felt a flush of pride, the first good thing he'd felt since Chris's death. He would lead the Vitales, standing by Ethan's side. Everything would be better. The path was clear ahead. Indeed, Keynes posited that economic activity was determined by aggregate demand. For the fifteenth time in half an hour, Stefan read the sentence without beginning to comprehend it. It al just seemed so pointless. He'd tried to distract himself by investigating the murder on campus, but it had only made him more anxious that he couldn't be by Elena's side, seeing to it himself that she was safe. He closed the book and dropped his head into his hands. Without Elena, what was he doing here? He would have fol owed her anywhere. She was so beautiful it hurt him to look at her sometimes, like it hurt to stare into the sun. She shone like that sun with her golden hair and lapis lazuli eyes, her delicate creamy skin that held just the faintest touch of pink. But there was more to Elena than beauty. Her beauty alone wouldn't have held Stefan's attention for long. In fact, her resemblance to Katherine had nearly driven him away. But under her cool y beautiful exterior was a quicksilver mind that was always working, making plans, and a heart that was fiercely protective of everyone she loved. Stefan had spent centuries searching for something to make him feel alive again, and he'd never felt as certain of anything as he did about Elena. She was it, the only one for him. Why couldn't she be as sure of him? No matter what Elena said about Stefan being the one, the fact remained: the only two girls he'd loved in his long, long life both loved not just Stefan but his brother, too. Stefan closed his eyes and rubbed the bridge of his nose between his fingers, then shoved himself away from the desk. Maybe he was hungry. In a few quick strides, he crossed his white-painted room, through the mix of his own elegant possessions and the cheap school-issued furniture, and was out on the balcony. Outside, the night smel ed of jasmine and car exhaust. Stefan reached tendrils of Power gently into the night, questing, feeling for †¦ something †¦ there. A tiny mind quickened in response to his. His hearing, sharper than a human's, picked up the faint whine of sonar, and a smal , furry bat landed on the balcony railing, drawn in by his Power. Stefan picked it up, keeping up a gentle thrum of Power between his mind and the bat's, and it gazed at him tamely, its little fox face alert. Stefan lowered his head and drank, careful not to take too much from the little creature. He grimaced at the taste and then released the bat, which flapped tentatively, a little dazed, then picked up speed and was lost again in the night. He hadn't been terribly hungry, but the blood cleared his mind. Elena was so young. He had to remember that. She was stil younger than he'd been when he became a vampire, and she needed time to experience life, for her path to lead her back to Stefan. He could wait. He had al the time in the world. But he missed her so much. Gathering his strength, he leaped from the balcony and landed lightly on the ground below. There was a flower bed there, and he reached into it, feeling petals as soft as silk. A daisy, fresh and innocent. He plucked it and went back inside the dorm, using the front entrance this time. Outside Elena's door, he hesitated. He could hear the slight sounds of her moving around in there, smel her distinctive, intoxicating scent. She was alone, and he was tempted to just knock. Maybe she was longing for him, just as he longed for her. If they were alone, would she melt into his arms despite herself? Stefan shook his head, his mouth tight. He had to respect Elena's wishes. If she needed time apart, he could give her that. Looking at the white daisy, he slowly balanced it on top of Elena's doorknob. She would find the flower and know that it was from him. Stefan wanted Elena to know that he could wait for her, if that was what she needed, but that he was thinking of her, always.

Media, Minorities, and Multiculturalism

The article Media, Minorities, and Multiculturalism attempts to explain how and why advances in media misrepresentation of minorities continues to be â€Å"couched in compromise†, and to distinguish between the concepts of media racism and racist media. This article also tries to draw attention to the complex factors involving media misrepresentation of minorities, and explores the developments in the creation of multicultural media by inclusion in mainstream media and institutional parallels that exist around alternative ethnic and aboriginal media.There are profound differences between racist media, and media racism. Racist media is media which openly discriminates against people of a certain race or ethnicity, thereby excluding them or denying them of certain privileges, while media racism is reflected in coverage that ignores minorities except in contexts of entertainment or crisis, and depicts minorities are problematic people, and also encoding words that constitute an e lite white discourse in perpetrating ideologies consistent with dominant sectors.The mediaThe mainstream media have been said to be particularly negligent in engaging with diversity in a constructive way, and failing to put the principles of inclusiveness into practice. Although the goal of the media might not necessarily be to diminish or demean minority men and women, the cumulative impact of miscasting has had the controlling effect of depicting minorities as remote or â€Å"removed† people.It has been noted that media that depend mostly on advertising for profit and revenue seem to be the least responsive in the area of change and improvement in minority misrepresentation, and news casting has remained a medium of the negative, even though there have been efforts to avert blatant racism. Men and women of the minority ethnicity are still constantly framed as troublesome people, whose demands and concerns are seen as unpatriotic, especially when they entail concessions or c osts.Over time, mainstream media has continued to misrepresent minority men and women at the news-casting level, advertising, TV programming and film making, even though there have been some changes and improvement in TV programming. For example, in countries like the United States and Canada, black and white viewers are having more and more favorite TV programs in common, which is probably because of the use of multi-ethnic casting in TV programs.Media miscasting tends to portray minorities as invisible, problematized, stereotyped, white washed and miniaturized people. Such an indictment is not entirely true presently, as there have been improvements in the quality of media and quantity of media minority representations.Also, advances in media representation of minorities are continuously â€Å"couched in compromise†, as systematic biases and institutional barriers still exist. In the developing world, media coverage of minorities is miscast because the media is preoccupied with style over substance and with adversity over cooperation. Developing world minorities are mostly ignored or made to seem irrelevant by racist mainstream media, and this has the effect of framing minority peoples as volatile and mindlessly violent, due to the absence of a balanced coverage.Ethnic and aboriginal mediaThere have been positive advances in ethnic and aboriginal media, due a popular and a booming ethnic market, which is reforming the ethnic media landscape. Ethnic media continues to flourish with as many as 50 radio stations airing non-English language and non-French language programs. Canada is a world leader in aboriginal media, and has many aboriginal radio and television networks, which the people look upon as an emancipatory tool for social, cultural and educational construction.Racist media in CanadaOn the basis that a racist media is one in which racism is institutionalized, it can be said that Canada does not have a racist media. Canada does have human rights laws, federal regulatory bodies, and also industry guidelines that are designed to reject deliberate racism. What Canada can be said to have instead, is media racism because the media is not deliberately racist in their coverage despite the racism existing in the mainstream media on personal and institutional levels.Discussion questionsIs racist media different from media racism?How can the concept of racist media be measured?What constitutes racist media?Does Canada have racist media?Reference listMedia in societyMedia, Minorities, and Multiculturalism

Academy Awards Trivia and Interesting Facts

Academy Awards Trivia and Interesting Facts Whether youre a classic movie buff or a blockbuster film fanatic, the yearly Academy Awards is likely to be a big deal for you and your friends. At your next Oscars party, test everyones knowledge with trivia questions on the award ceremonys history and fun, little-known facts. The Very First Oscar Winner The first person to receive an Academy Award did not even attend the first Academy Awards ceremony. Emil Jannings, the winner for Best Actor in the 1927-28 Academy Awards, had decided to go back to his home in Germany before the ceremony. But before he left for his trip, Jannings was handed the very first Academy Award. The Only Oscar to Win an Oscar Oscar Hammerstein II won the Oscar for his song, The Last Time I Saw Paris, in the movie Lady Be Good (1941). X-Rated Winner Midnight Cowboy (1969), the winner of the Academy Award for Best Picture, is the only X-rated movie to win an Oscar. Sibling Rivalry Ethel and Lionel Barrymore are the only brother and sister to ever win Academy Awards for acting. Lionel Barrymore won an Oscar for Best Actor in A Free Soul (1931). Ethel Barrymore won an Oscar for Best Actress in None But the Lonely Heart (1944). The First Color Movie to Win Best Picture Gone With the Wind (1939) was the first movie filmed in color to win the Best Picture award. Posthumous Nominations There have been a number of people nominated for Academy Awards after their death. However, the first person to be nominated posthumously and actually win was screenwriter Sidney Howard for Gone With the Wind (1939). James Dean, on the other hand, has been the only actor to be nominated twice after death; once for Best Actor in East of Eden (1955) and again the following year for Best Actor in Giant (1956). Winners Who Didnt Speak on Camera Three actors have won Academy Awards for playing characters that did not utter a single word throughout the entire film. Jane Wyman won the Best Actress award for her portrayal of Belinda, a deaf mute, in   Johnny Belinda (1948). Sir John Mills played the mute village idiot in Ryans Daughter (1970), for which he won the Best Supporting Actor award. Most recently, Holly Hunter won the Best Actress award for her portrayal of the mute Ada McGrath in The Piano (1993). The Most Frequent Hosts The list of hosts for the Academy Awards ceremony is dotted with prestigious names such as Will Rogers, Frank Capra, Jack Benny, Fred Astaire, Jack Lemmon and David Letterman. However, one man has dominated Academy Award history; Bob Hope hosted a whopping 18 Academy Award ceremonies. Billy Crystal, who has hosted the ceremonies 8 times, ranks second as the host with the most. Johnny Carson comes in third after hosting 5 Academy Award ceremonies. How the Oscar Name Came About The Oscar statuettes official name is the Academy Award of Merit. The name Oscar is actually a nickname that has been around for decades with unclear beginnings. Though there are several different stories that claim to tell the origin of the nickname Oscar, the most common attributes the nickname to a comment made by Margaret Herrick. Herrick, as the story goes, worked as a librarian at the Academy and upon first seeing the statuette, commented that the statuette looked like her Uncle Oscar. No matter how the nickname started, it became increasingly used to describe the statuette in the 1930s and was officially used by the Academy beginning in 1939. A Winner Who Was Never Nominated The only Academy Award winner who won but was never officially nominated was Hal Mohr for Best Cinematography for   A Midsummer Nights Dream (1935). Mohr was the first and only person to win via a write-in vote. When the Phrase And the winner is... Was Discontinued At the 61st Academy Awards, held in 1989, the Academy decided to replace the trademark phrase And the winner is... with the phrase And the Oscar goes to... Did you notice? The Streaker During the Academy Awards ceremony held on April 2, 1974, a man named Robert Opal ran across the stage naked, flashing the peace sign. David Niven had been on stage to introduce the Best Picture category when the streaker ran behind him. Thinking quickly on his feet, Niven remarked, The only laugh that man will ever get in his life is by stripping ... and showing his shortcomings.† A 20-Year Delay in Award Eligibility In a strange turn of events,  Charlie Chaplins movie Limelight, which was produced in 1952, won an Academy Award in 1972- 20 years after its first release. According to the Academys rules at the time, a movie could not be considered for an Academy Award until it had played in Los Angeles. When Limelight finally played at a theater in Los Angeles in 1972, it became eligible for an award. Winners Who Refused the Awards Honor The Academy Awards are one of the highest honors one can receive in the movie business. Yet, 3 people have refused the honor. The very first person to refuse an Oscar was Dudley Nichols. Nichols, who had won Best Screenplay for  The Informer  (1935), boycotted the Academy Awards ceremony because of ongoing conflicts between the Academy and the Writers Guild. For his dramatic portrayal of the World War II general in  Patton  (1970), George C. Scott won the Academy Award for Best Actor. Scott refused the honor, stating that the awards ceremony was a  two-hour meat parade. Marlon Brando also refused his award for Best Actor for  The Godfather  (1972). Brando, who said he refused the award because of the discrimination toward Native Americans by the U.S. and Hollywood, sent a woman supposedly named, Sacheen Littlefeather, to collect his award. It turned out later that the woman was really an actress named, Maria Cruz. The Oscar Statuette The Oscar statuette stands at 13 1/2 inches tall and weighs 8 1/2 pounds. It depicts a knight, holding a sword, standing on a reel of film which has five spokes, representing the 5 original branches of the Academyactors, directors, producers, technicians, and writers. In 1949, the Academy started to number the statuettes, starting with number 501. Award Ceremony Postponements Contrary to the old adage, the show must go on, the Academy Awards ceremonies have been postponed 3 times. In 1938, the ceremony was delayed a week because of flooding in Los Angeles. In 1968, the Academy Awards ceremony was pushed back 2 days because of  Martin Luther King Jr.s  funeral. The Academy Awards ceremony was pushed back a single day in 1981 because of the  assassination attempt  on President  Ronald Reagan. The First Televised Academy Awards On March 19, 1953, the Academy Awards ceremony was telecast for the first time across the United States and Canada. Then 13 years later on April 18, 1966, the Academy Awards were broadcast in color for the first time. Both of these ceremonies were hosted by Bob Hope. Plaster Oscars Rather than the usual metal Oscar statuettes, the Academy Awards handed out plaster Oscars during World War II in support of the war effort. After the war, the plaster Oscars could be traded in for traditional metal ones. 11 Nominations, 0 Wins In Oscar history, 2 films  tied  for the record of the most nominations without a single win. Both  The Turning Point  (1977) and  The Color Purple  (1985) received 11 Oscar  nominations but won not a single Academy Award. Sisterly Competition Twice in Academy Awards history, 2 sisters have been nominated for the same category during the same year. For the 1941 Academy Awards, sisters Joan Fontaine (Suspicion) and  Olivia de Havilland  (Hold Back the Dawn) were both nominated for the Best Actress award. Joan Fontaine won the Oscar. Jealousy between the two sisters continued to escalate after this and the 2 have been estranged for decades.   At the 1966 Academy Awards, a similar thing happened. Sisters Lynn Redgrave (Georgy Girl) and Vanessa Redgrave (Morgan: A Suitable Case for Treatment) were both nominated for the Best Actress award. However, this time, neither of the sisters won.

Fashion essays

Fashion essays The 1960s were the beginning of the new youth culture. Young people suddenly had power, they wanted to have a say on what was going on at that particular time. The best way to do this was through the music, hence the universal language. Music was used as a way to express emotions about everything, and to make political and other statements. Fashion reflected the music by making a statement and expressing personal opinions. The 1960s clothing styles developed along simpler, more youthful lines. It was the decade that had its own fashions directed specifically at teenagers. Before the 60s, teenagers dressed like their parents. The Mod movement of the early 1960s originated as such a youth subculture. However, by the mid 1960s it had evolved into a more generalized yet at the same time more outrageous form of fashion. It led to an explosion of the youth culture, which gave all teenagers a style of dress they could call their own. This style was very revolutionary but it eventually influenced the fashions of the entire decade for people of all ages, changing fashions from mass-market clothes all the way up to the haute couture industry. 1960s fashion became more youthful; they became simpler, shorter, and brighter.1 By the middle of the decade fashion was turned on its ear, as elements of styles initiated by the young permeated the clothing of all ages and all classes. Elements such as short skirts, brigh t colours, graphic patterns and unusual materials found their way into mainstream and haunt couture clothing. So, from a mainstream fashion that was fairly conservative we can identify a gradual change that continued until the mid 1960s, when it finally affected all areas of fashion. After all, young people were beginning to be a force to be reckoned with. This gradual change seemed to occur alongside the development of the music movement. The Beatles, Rolling Stones and Jimi...

The Formula One Motorsport Research Paper Example | Topics and Well Written Essays - 2000 words

The Formula One Motorsport - Research Paper Example Formula one motorsport is one of the most exciting games. It is a sport that incorporates motocross racing. It is highly exhilarating, both to the participants and to the spectators. On the other hand, it has elicited mixed reactions in some parts of the world. It is nowadays not a new phenomenon to find people who get agitated due to the sport. The paper describes the formula one sport. It highlights its history together with the historical implications associated with it, economic issues, cultural perspectives, the sanctioning bodies as well as the science that drove to the technology being utilized in the sport. Formula one racing is a motorsport that is characterized by open-wheeled race cars. They are single-seat races, implying that there are no co-drivers in the sport. The sport began in 1906. It is at this time that France held its first ever Grand Prix, an event that was organized and implemented by the Automobile Club de France. Being the first time the race was organized, the event organizers did not anticipate much success. However, at the end of the sporting activity, an evaluation indicated that the sports success had superseded the set expectations. Harris (2007) posits that the first event attracted about thirty-two cars. The event took place in Le Mans with the cars covering sixty-five miles. The first Formula One race was won by Levassor using the Panhard ET Levassor car.

An Ounce Of Cure By Alice Munro and A Good Man Is Hard To Find by Essay

An Ounce Of Cure By Alice Munro and A Good Man Is Hard To Find by Flannery OConnor - Essay Example The narration is from the third person, but the story is centered on grandmother. She is the one, who is described the most, who’s thought and actions are given more attention. Other characters seems not as important to the story, and others are downplayed so much so that the reader hardly notices they are there, like children’s mother, who seems to wear the same clothes all through the story, she hardly talks, her name is unknown. As to contrast, the grandmother is very particular in her choice of clothing; she is a real â€Å"lady†. However it seems children do not like her so much. The story takes place in Georgia, even though no specific place mentioned. During the second half of the story the characters are mainly in the â€Å"ditch†, only sometime people are taken to the forest. The story keeps the reader in suspense. It starts with an argument in the beginning as to what place they will go for vacation – Florida or Tennessee. The old lady rea lly wants to go to Tennessee, so she uses all the arguments possible to convince her son to head that direction. Then she attempts to talk to her daughter-in-law, but the mother seems to be utterly uninterested in what grandmother has to say.